heâd disposed of his burden.â
âMan, or a strong woman,â Dr. Samuelson said.
âWhen did all this happen, Doc?â
âEighty or ninety hours ago. Canât pinpoint the hour after so long a time. By the way, itâs my educated guess that the body was disposed of while it was still warm, before rigor mortis set in.â
âSounds to me like a bathtub job.â
âMe too. If sheâd drowned in the river, it would have been easier to sink her body with weights than haul her over to a sewer. Just for ducks, though, Iâm going to do a complete analysis of sections of her lung tissue. MeanwhileâI hope youâre up to another unpleasant surprise, Timâthe dead girl may not be Bianca Fielding Lessard after all.â
Here we go, Corrigan thought.
âIâve got an old biddy over here name of Anna Gavin,â Doc Samuelson said. âShe says the dead girl is her daughter Nancy.â
5
Samuelson entered his office a few minutes after Corrigan got there. The pathologist wore a green surgical smock and skullcap, a surgical mask dangling. He was flexing his fingers as if he had just stripped off a pair of rubber gloves.
He chose a cigar from the humidor on his cluttered desk, lit it, puffed with enjoyment, and asked, âKnow anything about Anna Gavin, Tim?â
âI remember that years ago there was an avant-garde poetess by that name.â
âEver read any of her so-called poetry?â
âIâll have to confess to a flaw in my cultural background,â Corrigan said.
Samuelson grinned. âYou didnât miss anything. Her crazy poems were never taken seriously by anybody except herself. Her philosophy of life seemed to be that death was the only true beauty, or some such garbage. According to her, everybody ought to go out in one grand explosion of riotous living.â
âSounds like just another kook,â Corrigan said. âI suppose she practiced what she preached, with the poetry her excuse.â
âYes, but she loused up her act. She didnât go out in a burst of glory, she fizzled like a paper match on 57th Street and Broadway. So, Timmy boy, be prepared.â
Samuelson led the way to a dim and dusty anteroom he used for storage. âShe refused to wait in my office,â he explained. âIt seems sunshine is a dirty word, or hurts her eyes, or something.â
Corrigan had to peer in the dimness of the storage room. He saw what looked like a bundle of twigs wrapped in rags, but it turned out to be a tiny withered old woman sitting on the edge of a broken office chair.
âMiss Gavin,â Dr. Samuelson said, âthis is Captain Corrigan. I was telling you about him, remember?â
She peered up at Corrigan with weak, watery eyes which she brushed at continually with the bleached knuckles of her right claw. The filthy cotton dress she wore was too big for her; it was held together with rusty safety pins. Her face, probably dainty once, had so shriveled and shrunk that Corrigan was reminded of the prized possession of a headhunter. It was topped with a tangle of wiry gray hair. The whole incredible creature was surrounded by the smell of stale wine and neglected old age.
A wavering glint came into the aqueous eyes. âOh, yes, I remember. Heâs the one whoâll find out what happened to my Nancy.â Her voice was like the squeaking of mice.
âYes, Miss Gavin. And youâve got to tell him everything you can remember about Nancy.â
âShe was my daughter.â The old woman squinted up at Corrigan uncertainly. âI never was sure who her father was. Not that it mattered. Marriage is a trap designed to stifle the spirit. I wrote a lovely poem about it. If I could recall the opening line, Iâd recite the poem to you. Oh, damn, I canât.â
âWhy donât we save it for later?â Samuelson said gently. âRight now, tell us about