youâre out there in the streets. They make you feel more alive because theyâre full of life, people, traffic, noise, activity. The streets are the world. Did I ever tell you about John Steinbeck and what he did when he heard that Robert Capa had been killed in Indochina?â
I frowned. I wasnât certain whether heâd told me or not, and yet at the back of my mind I thought that perhaps he had. Or was it Tony who had told me? Certainly we all revered Capa, the greatest war photographer who had ever lived. I said, âIâm not sure, you might have. But tell me again.â
âCapa was killed in 1954, on May twenty-fifth, actually. And of course within hours, news of his death spread around the world. Steinbeck, who was a good friend of Capaâs, was in Paris when he heard. He was so shaken up, he went out and walked the streets for fourteen hours straight. I guess he just couldnât believe it. And he couldnât sit still. He had to be on the move. And youâre doing something very similar, but youâre doing it every day, Val.â
âNo, Iâm not, I donât walk the streets for fourteen hours!â
Jake sighed and said nothing, just gave me one of those penetrating looks of his that always made me reexamine everything I said to him. I shrugged, and finally admitted, âOkay, youâre right, I guess I am doing the same thing. And you did tell me the story. It was on one of those days when you were ticked off with Tony because you thought he was too reckless. You were comparing him to Capa.â
âNo, I wasnât.â Jake sat up straighter and gave me a hard stare. âCapa wasnât reckless in the way that Tony was. Those who knew Capa always said he was very cautious. Donât forget, he was an expert when it came to taking calculated risks. When he went to Indochina, it was his fifth war, and only a photojournalist of his great experience would know how to properly calculate when something was truly dangerous or not. From what I know about him, he measured the risks, especially when he had to walk across exposed areas, and he was always cautious, did not take risks unnecessarily. But if he saw the possibility of a great photograph and there was a calculated risk, then he took the risk. Tony just rushed in withoutââ He cut himself off and took a swallow of his wine, obviously feeling disloyal.
âWithout thinking,â I finished for him, stood up, and headed toward the kitchen.
âWhere are you going?â
âTo get the bottle of wine,â I answered. When I came back, I filled his goblet, and then mine, and put the bottle down on the glass coffee table. âWhat about the memorial service?â I said, getting right to the heart of the matter. âDo you know when it is?â
âNext week. On Tuesday.â
âI see. Whereâs it being held?â
âAt the Brompton Oratory at eleven oâclock.â
I was silent, looked down at the drink in my hands.
Jake said, âIâve booked us in at the Milestone in Kensington. I know you like that hotel.â
I nodded. He had surprised me with the information about the memorial. Events seemed to be moving more quickly than Iâd anticipated, and I wasnât prepared at all. Only four days away. And then Iâd be sitting there among all of his friends and colleagues, many of them my colleagues, in fact, and listening to the world talk about the man I was still grieving. I was suddenly appalled at the idea, and I sat back jerkily.
Jake was telling me something else, and I blinked and tried to concentrate on his words. He was saying, âIâve spoken to Clee Donovan, and heâs definitely going to be there, and Iâve left messages for the Turnley brothers. I know theyâll come too if theyâre able.â
I gazed at him blankly. I was feeling overwhelmed, and the prospect of going to London frightened me, filled me