inside, I reach out and grab a small piece of that leafy green plant and close it in my fist. It makes me think of home, even if ivy no longer grows there.
Back in my bedroom I hide the ivy in my pillowcase before Deirdre begins fussing over me. She helps me out of my wedding gown, which she folds neatly, and then begins to spray me with something that at first attacks my senses and makes me sneeze, but then recedes into a pleasant rosy scent. She makes me sit on the ottoman again and opens the makeup drawer. She scrubs my face clean and begins again, this time painting me in dramatic reds and purples that make me appear sultry. I like it even better than the earlier look; I feel like my anger and bitterness have been manifested.
I’m dressed in a fitted red dress that matches the color of my lips, with black lace around the collar and capped sleeves. The dress only falls to about midthigh, and Deirdre tugs at the material to be sure it drapes properly.
While she’s doing this, I step into yet another pair of ridiculous heels, and stare at myself in the mirror. Every curve of my body protrudes through the velvet material—my breasts, hipbones, even the ghost of ribs. “It’s a symbol that you’re no longer a child,” she explains.
“That you’re ready for your husband to come to you at any time.”
After that I’m led to the elevator and down more hallways, until we reach a dining hall. The other brides are dressed in black and yellow versions of my outfit, respectively. All of us are wearing our hair down now.
I’m seated between them at a long table beneath crystal chandeliers. Cecily, the redhead, is looking excited, while Jenna, the dark-haired one, seems to be coming out of her melancholy. Under the table her hand brushes mine, and I’m not sure if it’s accidental.
We all smell like flowers.
Bits of glitter still fall from Cecily’s hair.
House Governor Linden arrives, with the first generation man again. They make their way to us, and Linden raises each of our hands to his lips for a kiss, one at a time. Then he introduces the man, his father, as Housemaster Vaughn.
Housemaster Vaughn also kisses our hands, and it takes some effort for me to keep from squirming at the feel of his lips, which are papery and cold. It makes me think of a corpse. As a first generation, Housemaster Vaughn has aged well; his dark hair has only sparse flecks of gray, and his face is not horribly wrinkled. But his skin is a sickly pallid shade that would make even Rose appear vibrant by comparison. He does not smile. Everything about his touch is chilled. Even Cecily becomes subdued by his approach.
I feel a little better when Linden and Housemaster Vaughn are seated at the opposite end of the table, with Linden facing us and Housemaster Vaughn at the head.
We brides sit in a row beside one another, and the other table head is left vacant. I suppose it’s where Linden’s mother would have sat, but since she’s not here, I assume she’s dead.
When Gabriel enters the room balancing a stack of plates and utensils, I find that I’m relieved by his presence. I haven’t spoken with him since last night, when he limped out of my room. I’ve been worrying that my actions led to his punishment, and that Housemaster Vaughn will decide to lock him in a dungeon for the remainder of his life. My worries always lead to dungeons; I can’t imagine a worse thing than to be imprisoned for the rest of one’s life, especially with so few years to enjoy what little there is.
Gabriel seems well enough now, though. I look closely for signs of bruises beneath his shirt, and find nothing.
His limp is gone. I try to catch his gaze, hoping to give him a sympathetic or apologetic look, but he doesn’t raise his eyes to me. Four others in the same uniform follow him in, with pitchers of water, bottles of wine, a cart of extravagant foods—whole chickens basting in caramel sauces, pineapples and strawberries cut and shaped like pond
MR. PINK-WHISTLE INTERFERES