pile.
I don't know what time it was when something woke me up. I wasn't sure what it was, but something was happening that made me afraid; I had that feeling along the edge of my back, that cold feeling you get when things aren't right. And it wasn't a dream. I sat up in bed and looked around in the dark, shaking off whatever was left of sleep, and the feeling was still there, that something was very wrong. The French papers slid to the floor; I could hear the sound of them fluttering off the bed.
Quietly I got up and went to the window. The first day of spring wasn't very far away, but dates
like that don't mean much in New England; it was still very cold, and there was snow, still, in the fields. I could see the whiteness of it as I looked out the window. Beyond the corner of the barn, far across, beyond the pine trees, there was a light in the window of the empty house. I looked up to find the moon, to see if it could be reflecting in one window, but there was no moon. The sky was cloudy and dark. But the light was there, a bright rectangle in one corner of the old house, and it was reflected in another rectangle on the snow.
"Molly," I whispered. Stupid to whisper, if you want to wake someone up.
But she answered, as if she were already awake. Her voice was strange. Frightened, and puzzled. "Meg," she said, in an odd voice, as if she were captured by something, as if she couldn't move. "Call Mom and Dad quick."
Ordinarily I argue with Molly if she tells me to do something, just on general principles. But everything felt wrong. She wasn't just telling me; she was ordering me, and she was very scared. I ran from the room, through the darkness, through the shadows in the hall, and woke my parents.
"Something's wrong," I told them. "Something's wrong with Molly."
Usually, when you turn a light on in the night, everything that you're afraid of goes away. At least
that's what I thought once, when I was younger. Now I know it isn't true. When my father turned on the light in my bedroom, everything was there, it was so much there, and so bright, so horrible, that I turned and hid my face against the wall. And in the corner of the wall, with my face buried, my eyes closed tight and tears starting, I could still see it.
Molly was covered with blood. Her pillow, her hair, her face were all wet with it. Her eyes were open, frightened, and her hands were at her face, trying to stop it, trying to hold it back, but it was still coming, pouring from her nose onto the sheet and blanket in moving streams, and spattering on the wall behind her bed.
I could hear my parents moving very fast. I heard my mother go to the hall linen closet, and I knew she was getting towels. I could hear my father's low voice, talking to Molly very, calmly, telling her everything was all right. My mother went to the phone in their bedroom, and I could hear her dial and talk. Then she moved down the stairs, and outside I heard the car start. "It's okay, it's okay," I heard my father say again and again, reassuring Molly in his steady voice. I could hear Molly choke and whimper.
Mom came back in the house and up the stairs, and came to where I was still standing with my back to the room. "Meg," she said, and I turned around. My father was in the doorway of the bedroom, with Molly in his arms like a small child. There were towels, already drenched with blood, around her face and head; they had wrapped her in the blanket from her bed, and the blood was moving on it slowly. My father was still talking to her, telling her it was all right, it was all right, it was all right.
"Meg," said my mother again. I nodded. "We have to take Molly to the hospital. Don't be scared. It's just another of those nosebleeds, but it's a bad one, as you can see. We have to hurry. Do you want to come with us?"
My father was moving down the stairs, carrying Molly. I shook my head. "I'll stay here," I said. My voice was shaking, and I felt as if I were going to be