American rust
went off to Yale. His one visit, she'd taken him around the campus, all the tall stone ivy- covered buildings, and he knew it was where she belonged, and where he would someday follow her, but here he was, twenty years old and still living in Buell. And now, he thought.
    None of it was permanent. The Swede will go back to the soil, blood goes from sticky thick to dust, animals eat you back to the earth. Nice black dirt means something died here. The things you could trace— blood, hair, fingerprints, bootprints—he didn't see how they would get away with it and there was a picture fixed in his mind of the Swede with his face shining and the bloody color of the light on him. He had never stopped looking at the spot between the Swede's eyes, even after the shot was gone from his hand. Made it go into him. With my mind I made it hit him there. He tried to call back the Swede's hands to see a weapon but he couldn't. His hands had been empty. Unarmed man, worst words there are. Why did you throw that thing at him? Because he had a look on his face. Because I couldn't get at the Mexican—might have hit Poe. The Mexican had a knife to Poe's neck but that was not the one you killed. The dead man was the one standing there doing nothing.
    Basis of everything, he thought. Pick your own over a stranger. Dead Swede for living Poe. Ten dead Swedes or a hundred. Long as it's the enemy. Ask any general. Ask any priest—millions die in the Bible, no problem if God says thumbs- up. Babies, even—dash em on the rocks say Jesus made me do it. The Word of God and the hand of man. Done the deed now wash your hands.
        — — —
    In the early afternoon he saw Poe come up to the edge of the field, two hundred yards away, and he dressed quickly and put on his shoes and coat and went out the window, hanging by his fingertips before dropping the rest of the way to the ground. His sister had come up to check on him but he'd locked the door.
    As he looked back at the house, a big Georgian Revival originally built for one of the steelmill's managers, he saw the old man sitting on the back porch in his wheelchair, his broad back and thin arms and white hair, looking out over the rolling hills, forest interspersed with pastures, the deep brown of the just- tilled fields, the wandering treelines marking distant streams. It was a peaceful scene and he wasn't sure if the old man was sleeping or awake. Like an old planter looking over his plantation— how much overtime he worked to buy this house. How proud he was of the house, and look at it now. No wonder you're always feeling guilty.
    High- stepping through the tall grass he made for the stand of trees at the bottom of the property where the spring came out, he knew them all—silver maple and white oak and shellbark hickory, ash and larch. There was the redbud he and his father had planted, in full bloom now, pink against the green of the other trees. Judas tree. Fitting name. Poe was sitting there, waiting for him in the shadows.
    “You get any strange knocks on the door?” he said.
    “No,” said Isaac.
    “Whose car is that?”
    “Lee's. The new husband's, maybe.”
    “Oh,” said Poe. For a second he looked stunned. Then he said: “E320—goddamn.” He was looking at the house.
    They made their way through the woods toward the road, kicking up last fall's moldering leaves, the sweet smell from them.
    “This is stupid,” Poe said. He looked at Isaac. “I mean, I don't see a way around it, but that doesn't mean it's not stupid.”
    Isaac didn't say anything.
    “Christ,” Poe said. “Thanks.”
    They crossed the road and picked their way down to the stream through the alder. Except for a slight coolness there was no hint it had snowed the previous night and they walked along the gravel banks or over the dark mossy rocks, the sky blue and narrow above them, vegetation spilling into the gulch, honeysuckle and chokecherry an old rock maple tilted overhead, the ground eroding beneath

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