one hundred and fifty thousand, and then, come August, two hundred and fifty thousand, and then four hundred thousand by September, and now six hundred thousand with the start of autumn. Ben screamed at his lawyersâwhat was going on! When would this stop? They told Ben that for all intents and purposes things were going briskly. His daughter was relentless. She was doing everything to protract the suit, to drain him of his financial resources and his energy. And what could they do about that?
On the late November morning that the legal bill hit eight hundred and forty thousand dollars, Ben received a call from the superintendent at his warehouse in Jersey City. The artist and his assistant were parked in the Cadillac, waiting for Eliza to finish up at the hairdresser on Mott Street. The superintendent began explaining how a week of rain had flooded the room where Benâs art was stored. He couldnât be specific about the damage to any work. He hadnât been inside to look. What he knew for sure was that there was water. And perhaps lots of it.
Jerome rushed from the car into the hairdresserâs. Seeing the artistâs wife seated in a black salon chair, a white barberâs apron cinched at the neck, her short red hair marked with thin pieces of tinfoil, and with Violet standing at her side, Jerome, visibly breathless and shaking, explained what had happened.
âOh,â Eliza replied. There was a Band-Aid above her eyebrow. She had fallen off the bed yesterday and hit her head on the floor. Still, she looked pleased. She said, âI hope itâs all washed away. Itâs garbage which has to be gotten rid of by someone at some point anyway.â
Her position on Benâs art had long ceased to offend Jerome. But he said, âAnother crisis might kill him.â
âI donât see any change in my husband of late.â Looking up into the mirror, Eliza said, âDo you, Violet?â
Amenable, subdued, Violet said, âNo, Ms. Arkin.â
âPerhaps youâre not aware of how much Ben spends on that warehouse. Itâs three thousand and five hundred dollars a month. Running around scraping together money to pay these lawyers, and here he is wasting so much. Now he can finally get rid of the place.â
âEliza, this might kill him.â
âWell, then Iâll finally get to winter in Miami. Youâll come with me, Violet, wonât you?â
To be heard above a hair dryer, Violet leaned into the old womanâs ear. She said, âMs. Arkin, I go where you go.â
âWe can go anywhere. Weâll have to go somewhere. I must get out of that loft. I canât live there another day. Itâs simply a terrible place. The moths have taken over. Thereâs no light. I think Southampton in the summer, and Miami in the winter. What do you say, Violet?â
âMs. Arkin, I say yes.â
âMy husband is not well. He should be put away and given extensive psychiatric treatment.â
Jerome said, âPlease, Eliza, just listen to me for a second.â
âHeâs a danger to society, donât you think, Violet?â
âHe is different,â the nurse replied.
âYouâre just being nice now,â Eliza said.
Jeromeâs dark eyes flashed a severe look. He didnât have time for this conversation. He told Eliza and Violet to take a taxi home. âI donât know when weâll be back. Maybe by six or seven oâclock.â
âTake all the time in the world,â Eliza told him. âWe wonât be waiting for you.â
Fifteen minutes later, the artist and his assistant were driving through the Holland Tunnel. Neither person spoke. When Jerome couldnât endure the silence another moment, he gave Benâs knee a pat, and told him not to worry. He said, âI think you could save a lot of money putting more miles between the warehouse and the city. We should consider a