move.â
âShut up,â Ben said. âDonât talk.â
âGo five more miles into Jersey, and the rents are half as much as what youâre paying for your place.â
âI said shut up!â
âBut Ben, you havenât given me my salary for two weeks!â
The artist, in tunnel-flickering light, raised his left hand in the air. He had never hit Jerome. Yet he looked as if heâd strike him now. âJust drive the fucking car, you hear me!â
Jerome didnât answer.
âDo you understand!â the artist screamed.
âYes, Ben. Yes, I do.â
The artist lowered his left hand into his lap and held it tightly with the right for the duration of the drive.
The warehouse was ten minutes beyond the tunnel, on a street in Jersey City that no one would ever find unless he was looking for it. No homes nearby. No people out walking. No businesses. No life. It was a six-story white brick building surrounded by mud filled with all the toxins that gave Jersey its reputation. Jerome pulled up out front. Reynolds, the superintendent, was waiting for them on the steps, clad in a navy jumper, and with his legs pretzeled beneath a tremendous belly. Ben was always warning Jerome that if he kept eating the way he did, heâd look like the superintendent one day. And that if he didnât start using his head, heâd end up with a job like the superintendent had. However, Reynolds had always seemed happy to Jerome, significantly happier than Ben Arkin, who now came slowly from the car with his chin up high and his shoulders pulled back. He brushed past the superintendent without saying a word.
âYouâll need a flashlight,â the superintendent told Jerome. âI killed the power. Had to. Else there could be a fire.â
âYou think itâs bad down there?â Jerome asked.
âCanât say,â Reynolds answered. âThereâs water. Thatâs all I know for sure.â
Jerome could see Ben descending the stairs to the basement, and he ran to catch up but didnât get there in time. Ben opened the basement door. A surge of water rushed in past his ankles.
âFucking shit!â Ben yelled.
âBen, wait for me,â Jerome called down from the top of the stairwell.
âFucking mother hell.â
âJust hold on a second,â Jerome said.
Inside the warehouse, water came up to their thighs. The ceiling felt close. There were a few thousand works stored here. Forty years of sixteen-hour days, minus the time for the prostate cancer, the dental work, the obsessive grocery shopping, and however much more for the vacations Ms. Arkin had forced on Ben. All that lifeâs worth of work. At least three-quarters of it was under water. That was Jeromeâs initial estimate when he shined a beam of light through the room. The assistant, silent, weak with fear, followed after Ben through the water. The old man struggled with each step, but was slowly getting farther and farther from the entryway. Then he waved Jerome off. He said, âGet away from me. Go. Please.â Ben turned and disappeared into a corner.
Jerome shut off the flashlight then and was in darkness. It was better to wait without seeing, besides. He touched his fingertips to the water, skimming the surface, making a light splash of sound. Then he said Benâs name.
âBen, whatâs going on out there? Do you need me?â
Only silence. Was he having heart attack? A stroke? No, Jerome told himself. No, not even this could kill Ben. He was the toughest man Jerome had ever known. He had starved through the Depression. His father had died before it was over. Jerome didnât know how. Ben wouldnât tell him. He didnât like to talk about his past. The assistant still imagined he knew more about Ben than most people. The artist had had two brothers, three sisters, and his mother to support by the age of fifteen. Heâd graduated high school