“I’ll take out-of-town guests there if they insist on
going, but I always try to talk them out of it. The exhibits there are even creepier
than our Monday morning haul.” She eyed a headless wooden monk with disfavor and tossed
it into a recycling bin.
“Some of the exhibits are quite beautiful,” I said.
“Beautiful exhibits? At Skeaping Manor? Don’t make me laugh,” Florence scoffed. “The
displays are nothing but creepy. The curator is creepy, too. Miles Craven—did you
meet him? Just as twisty as his exhibits.”
“He didn’t seem twisty to me,” I protested. “A little theatrical, maybe, but not twisty.”
“He’s creepy,” Florence said firmly. “How could he not be? He
lives
there, for pity’s sake. How could anyone live in Skeaping Manor and
not
be creepy?”
“He lives in the museum?” I said, surprised.
“In a flat round the back,” Florence confirmed. “Myrna Felton saw him in the garden
one day, dressed like an Edwardian undertaker and declaiming poetry.
She
thinks he’s balmy. So does Barbara Halstow.
She
saw him . . .”
While Florence cataloged Miles Craven’s many eccentricities, I made my way through
the layers of clothing in my trash bag, placing sweaters, wool skirts, corduroy trousers,
and winter-weight tights in separate piles on the table. It looked as though a child
had outgrown her wardrobe, and though the clothes were far from new, they were clean
and in acceptable condition. Nothing caught my attention until I reached the the last
item at the very bottom of the bag.
A pale pink winter parka lay there. It was a sad little jacket, worn and faded, its
pink hood trimmed with a matted strip of gray polyester fur. The moment I saw it my
mind spun back to Skeaping Manor’s silver room, and Florence’s rattling rant gave
way to a young girl’s dreamy soliloquy.
. . . The gentlemen wore diamond studs in their stiff collars and gold links in their
cuffs. They ate and drank late into the night while the world outside grew darker
and colder. . . .
I glanced at the clothes I’d already placed on the table, saw a purple skirt and a
pair of black woolen tights, looked again at the pink parka, and knew beyond doubt
that the child who’d outgrown her wardrobe was Daisy Pickering.
Dazed by the unsettling coincidence of finding Daisy’s jacket at the shop so soon
after seeing it on her, I reached into the bag to confirm by touch what my eyes had
already told me. A pang of pity shot through me when I felt a lump in one pocket and
realized that she’d left something in it—a small, cherished toy, perhaps, something
that meant as much to her as Reginald did to me.
I slipped my fingers into the pocket and withdrew the forgotten object. The thought
of returning it to Daisy was foremost in my mind when what in my wandering hand should
appear but a miniature sleigh pulled by three tiny horses. Three
silver
horses. Pulling a
silver
sleigh. A glittering, exquisitely wrought silver sleigh—a masterpiece of the silversmith’s
art. However much I blinked and stared, there was no mistaking it. The forgotten object
I’d retrieved from the pink parka was the silver sleigh I’d last seen at Skeaping
Manor.
I was thunderstruck. I didn’t gasp or squeak or cry out in surprise because my entire
head had gone numb. Though the silver sleigh rested firmly in the palm of my hand,
I half expected it to vanish in a puff of fairy dust. When it didn’t, I was forced
to ask myself a painfully obvious question: How had the priceless artifact ended up
in Daisy Pickering’s pocket?
“Found a snake?”
“What?” I said, startled out of my ruminations.
“Have you found another snake?” Bree asked. “You’ve been looking into that bag for
the last five minutes. What’s in it? A Cotswold cobra?”
“A jacket,” I said. I pulled the pink parka out of the bag with my free hand, gave
it a shake, and held it up for