twigs on the dining room table,
leaving mother furious on the dining room table:
picked clean.
Bare ruined choirs
where late the sweet.
A pile of pits.
18
Adam naming the fruit
after the creation of fruit,
his tongue tickling
the crimson lips of the pomegranate,
the tip of his penis licking
the cheeks of the peach,
quince petals in his hair,
his blue arms full of plums,
his legs wrapped around watermelons,
dandling pumpkins on his fatherly knees,
tomatoes heaped around him in red pyramids…
peach
peach
peach
peach
peach
he sighs
to kingdom come.
The Man Under the Bed
The man under the bed
The man who has been there for years waiting
The man who waits for my floating bare foot
The man who is silent as dustballs riding the darkness
The man whose breath is the breathing of small white butterflies
The man whose breathing I hear when I pick up the phone
The man in the mirror whose breath blackens silver
The boneman in closets who rattles the mothballs
The man at the end of the end of the line
I met him tonight I always meet him
He stands in the amber air of a bar
When the shrimp curl like beckoning fingers
& ride through the air on their toothpick skewers
When the ice cracks & I am about to fall through
he arranges his face around its hollows
he opens his pupilless eyes at me
For years he has waited to drag me down
& now he tells me
he has only waited to take me home
We waltz through the street like death & the maiden
We float through the wall of the wall of my room
If he’s my dream he will fold back into my body
His breath writes letters of mist on the glass of my cheeks
I wrap myself around him like the darkness
I breathe into his mouth
& make him real
Walking Through the Upper East Side
All over the district, on leather couches
& brocade couches, on daybeds
& “professional divans,” they are confessing.
The air is thick with it,
the ears of the analysts must be sticky.
Words fill the air above couches & hover there
hanging like smog. I imagine
impossible Steinberg scrolls,
unutterable sounds suspended in inked curlicues
while the Braque print & the innocuous Utrillo
look on look on look on.
My six analysts, for example—
the sly Czech who tucked his shoelaces
under the tongues of his shoes,
the mistress of social work with orange hair,
the famous old German who said:
“You sink, zerefore you are,”
the bouncy American who loved to talk dirty,
the bitchy widow of a famous theoretician,
& another—or was it two?—I have forgotten—
they rise like a Greek chorus in my dreams.
They reproach me for my messy life.
They do not offer to refund my money
& the others—siblings for an hour or so—
ghosts whom I brushed in & out of the door.
Sometimes the couch was warm from their bodies.
Only our coats knew each other,
rubbing shoulders in the dark closet.
Here Comes
( a flip through BRIDE’S )
The silver spoons
were warbling
their absurd musical names
when, drawing back
her veil (illusion),
she stepped into
the valentine-shaped bathtub,
& slid her perfect bubbles
in between
the perfect bubbles.
Oh brilliantly complex as
compound interest,
her diamond gleams
(Forever) on the edge
of a weddingcake-shaped bed.
What happens there
is merely icing since
a snakepit of dismembered
douchebag coils (all writhing)
awaits her on the tackier back pages.
Dearly beloved, let’s hymn
her (& Daddy) down
the aisle with
epithalamia composed
for Ovulen ads:
“It’s the right
of every (married) couple
to wait to space to wait”
—& antistrophes
appended by the Pope.
Good Grief—the groom!
Has she (or we)
entirely forgot?
She’ll dream him whole.
American type with ushers
halfbacks headaches drawbacks backaches
& borrowed suit
stuffed in a borrowed face
(or was it the reverse?)
Oh well. Here’s he:
part coy pajamas,
part mothered underwear
& of course
an enormous prick
full of