into the next room, and we were about to go catch up with them; but Dodo turned toward the entrance and waved hello.â
âDid you see who he was waving at?â Romano asked.
The boy sniffed loudly. âOver there, where you get the tickets. There was a lady.â
âAnd then what happened?â asked Aragona.
âI went to Sister Beatrice.â
âWhat about Dodo?â asked the boyâs mother.
Christian turned to look at her and shrugged.
âI donât know. I didnât see him after that.â
Romano pressed on: âWhat did she look like, this lady? Do you remember if she said anything, how she was dressed, or . . .â
âShe was wearing a sweatshirt with the hood pulled up over her head, and I saw some blonde hair sticking out from under it. She waved to Dodo to come over to her. I didnât even see if he did go, because I left the room right away. If Sister Beatrice called roll and we werenât there, sheâd get mad and write it in the logbook.â
Romano made sure that Aragona had taken note of the boyâs name and, confident that he wasnât going to get any more information out of him, gave him permission to go back to the other kids.
Dodoâs mother was beginning to show signs of concern. She kept looking around, as if she expected her son to appear from one minute to the next; every so often sheâd confer with her hairy boyfriend. Then she said: âWhat do you intend to do now? Whatâs next?â
Aragona spread both arms helplessly: âSignora, itâs not like we have a script. Do you have any idea who this blonde could be, if in fact she did take your boy?â
The woman stared into space for a moment, thinking hard, then murmured: âNo. It could have been anyone, a friend, a chance acquaintance, the mother of another classmate. I have no idea.â
Romano broke in: âAll right then, give us your information and go home, maybe the boy has already come home with someone. Are you going to let the father know? If you prefer, we could . . .â
âNo, he . . . he doesnât live here, heâs up north. Iâll take care of it, Iâll call him myself. After all, thatâs my responsibility, isnât it? I imagine it is.â
âSo now what do we do?â Aragona asked Romano after sheâd left.
Romano thought it over: âWhy donât we go over the museum ourselves with a fine-toothed comb; tell the two uniforms outside what weâre doing. And seeing as they have security cameras, letâs put in a call to the station house for authorization to requisition the recordings.â
Aragona nodded: âAnd after that?â
âAnd after that, we keep our fingers crossed.â
VIII
L ojacono and Di Nardo found themselves back in a bullpen whose atmosphere was very different from the one theyâd expected. Romano and Aragona were gone; Pisanelli and Palma, standing in front of Ottaviaâs desk, were waiting in silence for their colleague to finish talking on the phone.
Calabrese sat listening ashen-faced, concentrating, every so often muttering an affirmative word or two into the receiver. Even Guida had left his post at the front entrance and climbed upstairs to the second floor where he stood, looking pained, at the door, as if afraid to interrupt.
âWhatâs going on?â Lojacono asked.
Palma gestured for him to wait until Ottavia was done talking. The woman ended the conversation and stared at the commissario: âNothing. Not a trace on the grounds or in the museum. And none of the staff, not the guard at the door nor the people at the ticket booth and the information desk, remember seeing him go by. Romano says that if the boy had gone out alone, someone would have noticed; there isnât much of a crowd at that time of day. He and Aragona think the kid must really have left with someone.â
Palma nodded tensely.
âWhat