been buoyed up by the thought of the meeting theyâd arranged on the Casino terrace. Then, just before dinner, sheâd received a âphone-call to say that the meeting was off. The young man was terribly sorry but it rather looked as if they wouldnât be able to get together at all for the next few days. It wasnât his fault but circumstances made it impossible.
Just that. No real explanation for the let down. Nothing but a vague suggestion that he would ring again in the near future. Dilysâ high mood collapsed. She began to view the encounter at the galleries with a more calculating eye. Wasnât there, after all, something rather fishy about this Mr. John Smith? Anyway she refused to believe that Smith was his real name. Heâd obviously blurted out the first thing that came into his head. But why? Because he wanted to conceal his real identity. And why had he wanted to conceal his identity? Well, most people adopted an alias because they had something to hideâmore often than not, something criminal.
Dilys shivered. Could she believe anything heâd told her? Was he really a clerk in a London office? And this friend he spoke ofâwas it really a man friend?
By the time Dilys arrived at the breakfast-table, after a broken, restless night, she was prepared to erase Mr. John Smith from her memory. If he did have the audacity to ring up again, then sheâd inform him, politely but firmly, that she no longer wished to meet him.
With all these unhappy reflections in her mind, it wasnât until she ran against Paul Latour on his belated way downstairs that Dilys remembered the picture.
âOh hullo, Paul. You slipped out early yesterday. I wanted you to take me along to the exhibition and give me the benefits of your professional knowledge. As it was I had to go alone.â
âNot a very good show, I hear. Too recherché. You agree?â
âWell, Iâm not really qualified to say. But I found itâ¦interesting. There was one picture in particular calledâ¦now what on earth was it? Oh, I knowâ Le Filou. â Dilys watched closely for his reactions but Paulâs features remained more than usually impassive. âIt had a very distinctive style, Paul.â
âReally? Who was the artist?â
âWell, quite frankly, I thought it was you.â
Paul looked at her in astonishment.
âMe? Me? Mon Dieu! Iâd sooner cut my throat than exhibit my work in the company of such mediocre nitwits!â
âBut it was so exactly like your painting, Paul. Uncannily like it.â
âBut, ma petite, didnât you buy a catalogue?â
âYes, of courseâbut I thought perhaps you were showing the picture under an assumed name.â
âAn assumed name? How do you mean? What name?â
âOh Jacques somebody or other.â
âJacques?â
âYesâI remember now. Jacques Dufil.â
II
Bill Dillon stood before the wardrobe mirror in his hotel bedroom and took a final critical look at his appearance. Umph, not so bad. Lucky heâd had the good sense to pack his dinner-jacket even if it was a bit tight across the shoulders. No doubt that during these last two years heâd put on weight. No doubt either that all the violent and unaccustomed exercises of the last two days had developed his muscles.
Only that afternoon in an old bush shirt and khaki shorts, with a rucksack on his back, heâd been for his daily constitutional in the mountains. Heâd driven up through Castillon and Sospey, parked the car near Col de Braus and struck out on foot to explore its rugged and precipitous environs. This was the third time heâd followed this particular route up from Menton for a scramble among the lower peaks of the nine thousand foot range. Up there the air had been clear as crystal, the sun scorching down from a cloudless sky, the heat reflected upward from the bare and shimmering rock. Certainly his