test,â she says. âI havenât really felt like studying lately.â She digs her hands into her hair and pulls it back from her face. It springs back briskly.
I open my mouth and she puts her finger on my lips.
âYes, Iâve been going to class,â she says.
âYou have to keep your grades up for RISDââ
âSure,â she says.
âIâm glad,â I say.
âI know.â She leans against the wall and we sigh in tandem. The sounds of the restaurant swell up, all murmurs and chewing and knives on plates, the same it would be anywhere. The floor-to-ceiling windows have been thrown open and they rock in the breeze off the ocean. Gulls are screaming about gull things outside on the deck railings. I have never seen one fly inside, but Nancy has a lot of stories about torn-off hairpieces and knocked-over tables.
âMrs. Tam probably needs more bread,â I say finally.
âThe Monroes definitely need more bread,â she says. âIt isnât even worth checking first. I should never walk by their table if I am not ready to produce another basket.â
We both push off the wall together. She picks up two baskets of bread and I pick up one of the water pitchers that Clarence, Nancyâs nephew and wage-free busboy, fills up with enthusiasm. We donât go through pitchers as fast as he fills them for us, but he is glad to have a job to do.
âOmar wants me to come up to the studio tonight so he can work on his portfolio,â Laura says as we slip through the tables.
âHe wants you to drive three hours up to San Francisco tonight so you can work on his portfolio,â I say flatly.
âWell, he was all, Iâve got this idea for a series of nature portraits except nature is ugly and cruel. â She frowns. âIâm sure itâll turn out better than it sounds. Heâs basically interested in the intersection between our constructs of beauty and the beauty that doesnât conform to that ideal but is, nonetheless, beautiful. Like we talked about in Art and Aesthetics. Iâll have to write his artistâs statement for this one.â
âYou do every time anyway,â I say. Laura has been collecting art theory books since she graduated from Crayola crayons, and the things she knows are sometimes breathtaking. Iâm smiling at her until she says, âSo are you going to come?â
âCan I get more bread?â Mrs. Tam says, glancing betweenus. Iâm refilling her glass carefully, because she does not like excessive ice.
âSure,â I say. âNo,â I say to Laura.
âJust one more basket,â Mrs. Tam says. âI have a lot of soup left.â
âOf course,â I say to her. âJust as soon as you finish that last piece Iâll have it right out.â
âOh I didnât even notice that there!â she says, blinking like sheâs just emerged from a terrible dream.
âI have to bring dinner home,â I say to Laura, turning to the next table.
âJust drop by for a minute and then come with me,â Laura says, gathering up empty plates and smiling distractedly at the Smiths as she passes their table. The Smiths are nudists but only on their own property since most business owners on the pier started banning them for hygiene reasons. âBread? You got it!â Laura says, and gives them a thumbs-up.
âLaura, that is nuts and I have had a crap day.â I wave my pitcher around and it sloshes. âShit! Iâm sorry, Mrs. Tam.â I lower my voice as Laura passes me, and follow her toward the back. âMorgan wasâI am so tired of that class. Itâs so pointless. The early deadline is in three weeks and this endless busywork is not helping. I should ditch that class.â
âYou wouldnât ever possibly even begin to consider potentially even thinking about ditching,â Laura says, dumping her armfulof empties into a bus