sections a series of events growing out of feuds
lead to the heroâs being attacked and killed at his own home, after which
revenge is exacted. The attack comes when a settlement for a major offence committed by
the heroâs side is broken or rejected, leaving the way open for his enemies to
attack in force. In both stories Mord Valgardsson plots to bring about the
heroâs downfall, which comes after two killings (of father and son) in the
same family. The contrasts between the two sections are instructive: burning the
besieged in his house, which was rejected as shameful in the attack on Gunnar, is the
tactic used in the attack on Bergthorshvol, and Hallgerdâs betrayal is
counterpoised byBergthoraâs willingness to die with her
husband. The chief contrasts between the Gunnar story and the Njal story, however, are
in the nature of the narrative line and in dimension. Gunnar becomes entangled in a
series of clashes with different opponents â Otkel and his allies, Starkad and
Egil and their sons â who eventually join together to form an overwhelming
force against him. In Njalâs story there is a single, straight plot line, from
the slaying of Thrain Sigfusson (and even before) to the burning. The other main
contrast is the greatly increased scale, which creates, in addition to the rhythm of
hopes raised and dashed, a sense of ever heavier seriousness. It may seem callous to
speak of Gunnarâs feuds as trivial, since enmities are aroused and men are
killed, but in comparison to the immense gravity of the feud in the second part they
come off as petty stuff. The killing of the promising Thorgeir Otkelsson is regrettable;
the killing of the saintly Hoskuld Thrainsson is tragic. Forty men attack Hlidarendi; a
hundred (meaning a hundred and twenty in the old sense of âhundredâ)
attack Bergthorshvol. After his death Gunnar sings in his mound like a bold pagan. The
pathos of the deaths of Hoskuld and of Njal and his family, heightened by Christian
overtones, is unmatched by anything in the first part of the saga. The vengeance for
Gunnar occupies one chapter and falls on four men; for Njal it occupies twenty-seven
chapters and some thirty men die. Gunnarâs chief enemies were shallow men,
though they dragged some prominent figures along with them. Njalâs chief
enemies include, with good reason, some of the best men in Iceland.
Njalâs
Saga
is a large and ponderous saga, and especially the second half shows how
massive the effects of human folly â and how ineffective human intelligence
â can be.
POSTSCRIPT
This introduction has been drafted in a rented cottage at
Brekkuskógur in Biskupstunga in the south-west of Iceland, just short of the
rim of the uninhabited central highland, about ten kilometres from the hot springs at
Geysir. Two kilometres north of Geysir is Haukadal,where
Thangbrand baptized Hall Thorarinsson (see Ch. 102), and where Ari Thorgilsson (author
of
The Book of Icelanders
) spent his formative years in the late eleventh
century. Two or three kilometres from where I sit, up the road towards Geysir, is the
still-working farm Hlid (now called Uthlid), to which Geir the Godi
âretiredâ when he left our saga in Ch. 80.
Looking south-east from my veranda I see the steam rising from Reykir (the
name means âsteamsâ) five kilometres away, just as it rose a
thousand years ago when the forces of Thorgeir Skorargeir and Mord Valgardsson met with
Asgrim Ellida-Grimsson to ride together to the momentous Althing (Ch. 137). In that
chapter it is reported that they first crossed the Bruara (âBridge
riverâ), and indeed the river at that point (width 25 metres, current swift)
shows me that this was a detail worth mentioning, just as the impressive columns of
steam would have made Reykir a natural meeting place. Looking beyond Reykir, twelve