Tags:
Biographical,
Fiction,
Literary,
Historical fiction,
General,
Historical,
World War,
1939-1945,
War & Military,
War stories,
Adventure stories,
Autobiographical fiction,
1939-1945 - Fiction,
Picaresque literature
.
Si vous croyez que je vais vous dire!
Qui jose aimer!
Madame von Dopf s favorite aria . . . out of date perhaps, but pleasant . . . especially in those period drawing rooms with their brocade, velvet; scrollwork, pompons, standing lamps, enormous lampshades . . .
Si vous croyez . . .
and now Ameryl ° . . . son of the British minister . . . Constantini's a big bruiser, Amery's more the willowy type . . . a gentleman, a dandy . . . oh, but not affected! . . . guess it's all right; if they're singing . . . Let's go in . . . he's accompanying himself . . .
Mademoiselle from Armentières, parlez-vous?
Mademoiselle from Armentières!
deep voice . . . must be a bass . . .
Mademoiselle from Armentières . . .
hasn't been kissed for forty years!
Mademoiselle from Armentières doesn't nonplus Madame von Dopf . . . she dives right in . . . wow, those chords! . . . on the other piano! . . . shakes the families out of their stupor . . . the families come in . . . on the chorus . . . in French! . . . in English! . . . to show you that brotherhood was in the air . . .
But way back I see somebody motioning to me . . . from the vestibule . . . that somebody is Schulze . . . Oh, I won't tell him anything . . . people always talk too much . . . I go over . . . he leads me away . . . a corridor . . . another . . . to the exact opposite wing of the hotel . . . the "correspondence rooms'''. . . where nobody ever goes . . . then another room marked "privat" . . . he sits down . . . me too . . . up to him to begin . . .
"Doctor, all this is drawing to an end! I assume that you know. . ."
"Nothing at all Monsieur le Ministre! . . . I haven't heard . . . or seen a thing!"
"Well spoken, Doctor! Perhaps not! Perhaps not! . . . then I must tell you that every single room in this hotel must be vacated tonight! . . . this very night! . . . empty tomorrow morning: let's say by noon! . . . Order of the Ministry! . . . and not a single one of these people must stay in Baden-Baden . . . have you many patients? . . . bed patients, I mean? . . ."
"Two . . . perhaps . . ."
They'll go to the hospital . . . Madame von Dopf will be going too . . ."
"To the hospital?"
"Wherever she pleases! . . . or the insane asylum . . . she's mad, you know . . . they'll come and get her tonight . . . don't tell her . . ."
"Count on me, Monsieur Schulze . . ."
"And you, Doctor, my instructions . . . you've been assigned to Berlin, the Rekihsarztkammer . . . Professor Harras will look after you there . . . you'll catch a train tomorrow, at daybreak, a troop train . . . I'll take you to the station . . . myself . . . don't say a word . . . to anybody! . . ."
"Oh, rely on me, Monsieur Schulze! I can take my wife, I hope? . . . and my cat? . . . and Le Vigan?"
"Certainly! Certainly! But don't see anybody else, understand? . . . and don't say good-bye to anyone . . . I'll have your three meals sent to your room this evening . . . and a basket lunch for the trip . . . and be ready tomorrow at the crack of dawn! . . . say five o'clock!"
"Certainly, Monsieur le Ministre!"
Those people over there in the other wing don't suspect what's in store for them . . . they're still singing . . . we can hear them . . . plenty . . . they're listening to another singer . . . a German this time . . . a really fine voice . . .
Vater! . . . O Vater!
Schumann . . . I never saw any of those Baden-Baden refugees again . . . I heard not so long ago that Amery had been hanged in London . . . London's made for it in a way . . . and harmoniums . . . and the ax too . . . with a hymn in between . . .
Ever since we left our rue Girardon . . . without music I