Poppy joined in with the trumpets, far less expertly. Encouraged, he let himself go, bomping and baahing full throat. They were driving into the final tutti when Poppy noticed Elias staring up at her with that look of affront and disbelief which cats keep for outrages on their ideas of dignity. She collapsed into laughter. Jim closed with an unperturbed flourish and turned the volume down. Poppy could sense an inner lip-smack of self-satisfaction.
âIf I had a fiver for every time Iâve played that,â he said.
âWas Verdi using trombones as early as Aida ?â
âBrass band Iâm talking about. West London Police Band. I still turn out for them if theyâre short.â
âWhat else have I got â¦â
âFirst things first, Poppy. About if that fellow comes hanging around at the play centre. Iâll drop down to the station tomorrow, have a word with Terry Hicks. Heâll send someone along to talk to you, Ozzie Osborne, most like. Telephone at the play centre?â
âYes. George has probably reported it already.â
âRight. Ozzie will know, then. Sheâll give you a number and who to ask for. And most like sheâll drop by off and on for a couple of weeks, walk you home.â
âOh, Jim, thatâs marvellous! Itâs such a load off my mind! I canât thank you enough.â
âListen to a bit more music, shall we? Not this caterwauling, mind.â
âIt isnât caterwauling!â
âAnd those fellows bawling away like theyâre showing their tongues to the doctor.â
â1 donât think Iâve got any proper brass band music.â
âBet you have, too. Bet youâve got old Vivaldi.â
âYes, of course, but â¦â
âLetâs have Spring , then, for starters. Some bloody good tunes in there. Anything left in that gin bottle?â
Buying her Guardian next morning Poppy thanked Mrs Jinja for her advice.
âHe was wonderful,â she said. âHe didnât just rescue us; he came round in the evening to tell me what to do if the man turned up again. Oh, you know that, of courseâyou gave him my address.â
âI hope you did not mind.â
âOf course not. Why?â
Mrs Jinjaâs mouth closed to a purple blob, like a shrinking anemone, in the large fawn face.
âJim has a certain reputation, you understand me?â she said. âI was careful to ask Mr Jinjaâs permission before I consulted him about Farahâs difficulty.â
âI think I can look after myself.â
âHe has his pension from the police. He does not need the money for being a crossing warden.â
âHe says he likes being useful.â
âHe also likes to inspect the young mothers who come to collect their children, and to make friends while they are waiting by the gate, and to be asked for advice, and to call round perhaps while the husband is working, and then ⦠who knows, Mrs Tasker, who knows?â
Poppy laughed.
âI promise you we spent the whole evening listening to music.â
âYou do not object to my telling you this?â
âOf course not. Iâm flattered.â
OCTOBER 1989
1
A vast Mercedes was waiting by the far entrance to the park. The chauffeur, blue-chinned, Greek-looking, simply stood and watched while Peony and Poppy collapsed their pushchairs and stowed them in the boot. There was a baby-seat fixed for Deborah in the back, but Poppy had to sit beside her with Toby on her lap, trying to control his impulse to explore every knob and handle. Peony sat in the front with the chauffeur, separated from the rear by a glass partition, and Poppy had the amusement of being able to watch their body language. When people know you canât hear them they tend to forget how much their subsidiary modes of communication express their meanings and emotions. Even the back of the manâs head and the way his hands rested on
Carolyn Keene, Maeky Pamfntuan