about how everybody was different ⦠Do you still love her, Bert?â
Albert protected himself from any direct display of emotion by going into his Father-imitation, poising the tips of his fingers together and giving a snort through his moustache.
âTrick question,â he said. âWhen did you stop loving your wife? I love her OK, but in a different way from a few years back. Much more complex. I mean, for instance, it includes a good deal of irritation sometimes. Itâs like, oh well, for instance, the shift from the intense simplicities of folk music to the interwoven diffusions of polyphony, if you follow me.â
âI donât.â
âSorry. I forgot. Well, then, itâs like coming off the high moorlands where you can see for miles and there isnât a soul in sight and the winds of heaven to breathe, to walking through close farmland with hedges and twisting lanes and business calls to make on the way.â
âThatâs more like it. Perhaps Soppyâs hankering for the hill-tops.â
âYou canât stay there for ever, but monogamy still rules in my case, if thatâs what you mean. That wasnât why she sacked Bridget. I donât think thatâs the problem. For instance, she found an old snap of Aunt Kitty Bakewell in her twenties, long before she showed any sign of going off her trolley, dolled up as a man for some kind of fancy dress do in a white tie and tails and looking stunning. First glance youâd think it was Soppy herself. And she keeps dragging Kitty into conversationsânot right in, just hinting and then pushing her out of sight again.â
âSoppyâs always looked terrific in uniform. Piers is mad about her.â
âPiers is just kinky about women in uniform. Look how he got Mother to dress up in her Irish Guards outfit last Christmas. To my mind it all goes back to his being found on that bus. His mother must have been some buxom conductress, and heâs working out his pre-natal influences.â
âSeriously?â
âNo. Of course not. But Iâm serious about Soppy. I think her problems are mostly down to Aunt Eloise.â
âDo you really? Soppy always gives the impression of being the only one who can handle her.â
âAs she grew up, she evolved various strategies and techniques, but she wouldnât have had them when she was a child. All it means is that everythingâs deeper-buried, hidden from her conscious mind, so she has to blame her problems on things that are happening to her now, like not being allowed to go to Argentina. I donât know what it is about some peopleâs mothers.â
âAt least weâve been lucky with our own. Did you meet Alex Romanov? His was a handful too, by the sound of her. You mightâve noticed me taking him over to woo poor Aunt Bea.â
âOh, him ⦠looked as if he was making a go of it, too. Where did you pick him up?â
âHe was talking to Piers about AI. He used to correspond with Granny on a regular basis, he says. Heâs got a lot of her letters, long ones, full of the sort of things she used to say about everyone.â
âHas he, by God? Thatâs what you were telling Sir Sam? No wonder he looked a bit haunted. Whatâs he going to do?â
âTry and con them off him somehow, I should think.â
âWhy bother?â
Louise stared. It seemed too obvious to argue about. There was no question of the Palace allowing Grannyâs papers to be published as they stood. Even letting Alex Romanov get as far as trying to publish them, and then having to go to the courts to get them suppressed, would wake an absolute volcano of guesswork and rumour about what might be in them.
âYou know what I think?â said Albert. âSeriously. The best way to deal with a time-bomb like this is blow it up in the open. We should help Mr Romanov get the stuff published.â
âCount. Or