your mother never wrote.â
âMom doesnât write letters,â he says. She didnât, not even to him all those years ago, when he was a child, waiting by the mail slot.
âAnd you?â she asks.
âI wrote you for years,â he says.
âWhen you were a child, maybe, a few letters now and thenâ¦â
âIt was so long ago,â David says. âI donât remember. I ââ
âYou donât remember. You donât remember anything.â Piera sighs and reaches for her cigarettes on the bedside table. âYouâre just like Clarissa.â Her tone is a heavy cadence, inevitable disappointment.
Sheâs the one who doesnât remember, he thinks. Selective memory.
Piera sniffles beside him, then strikes a match.
David flicks on the bedside lamp. âSo youâre well enough to smoke now.â
Piera shrugs, lowering her lids in that slow-motion way. Then she lifts her legs over the side of the bed and gets up. David rises too, alarmed, and hurries to her side, but Piera waves him away. Then she shuffles toward the en suite bathroom, where she sits on the toilet, door open, and smokes a full cigarette.
âYou can come in and talk to me,â she says.
David sits on the edge of the bathtub and watches her. How different she is from Clarissa, his proud, elegant mother.
âWhat?â Piera says, as if David had spoken aloud.
David shakes his head.
âDonât tell me youâre shocked,â Piera says. âEveryone goes to the bathroom. Even your queen.â
David shrugs. Piera is a sight: wrinkled nightgown bunched at her waist; thin bedraggled hair, elbows leaning on her thighs, the cigarette held in her hand, between her spread legs.
âAnyhow, I leave the door open in case I fall.â
âMaybe you should go to physiotherapy,â David says.
âAnd then what?â she says. âQuacks.â
âZia Piera,â David says. âThe funeral. Your brother. The family.â
âThey all hate me,â she says, voice quivering, âbut everything I did, I did for love.â
âThey need to know.â
âNobody understands,â she says.
When she stubs out her cigarette and reaches for toilet paper, David returns to the bedroom, to its saints and martyrs. Anachronistic. He thinks of his own bedroom in Vancouver, its wall-to-wall plate glass window. How unlike this dark, overcast room.
He hears water running, then Piera returns, her hair combed, her eyes bright. She opens one of the cupboards, takes out a large box, and sets it on the bed. Then she sits across from him and opens the lid. âWhat can I say to defend myself?â In the box is a thick journal â part scrapbook, part diary â its pages wavy with glue, and fanned out with photos, cards, bits of cloth, letters, and other items David can only guess at.
âIn here,â she says tapping the box, âis all that remains. Iâve been writing this down for years.â She pauses, leans across the bed for her cigarettes, lights one, and blows a halo of smoke towards David. âThis is for you, then. For Vito. For all the forgotten and the unknown.â
He reaches for the journal, but she pulls it back.
âWeâll go through it together,â she says, âbut Iâll read it to you. That way, I can explain whatâs not written down.â
All that remains , he thinks. A life imprisoned between covers.
âClarissa,â she says, âleft us and rarely came back.â She takes another puff, holds it in her lungs for a moment, then exhales another blue cloud.
âMom was very busy,â David says, thinking how often he has excused all her neglect this way.
Piera waves her hand in the air. âEveryone is busy. And you?â she asks. âDidnât you wonder about us?â
He shifts in the chair. âWe tend to live in the present,â he says. âThereâs
Nadia Simonenko, Aubrey Rose