olive sticks,
with battered whore-ti-cultural beaks, and eastern screech.
Flushed, too, every time The Yew Norker
or one of Obi Wan Kenobiâs traitorous X Jedi Clampett hillbillies
fresh princeâd us . . .
The real religion,
our âindividual expressivenessâ
wasnât dehuman-u-factured
by a Greek HAARP
in a Roman uni-dot-gov-versity.
Where we Away
our Steel, âfloodâ
means âflow.â
Where we Tenure
our Ammo, âpodiumâ
means âdrum.â
Flood,
flow.
Podium,
drum.
Flood,
drum.
Podium,
flow.
Drum,
podium.
Flood,
flow.
Used to be a whole lot of chalk around the Ark,
then anger, then angels, rehabbed wings made of fried white dust,
fallen from when the board of knowledge was public and named
after a stranger or [rich] crook, an anti-in immigrant-canâtameter
stretched across the teepee-skin, chairs of class
where we clapped
the erasers,
fifty snows old,
like we were
the first Abraham,
where we clapped
the Race Erasers
and drove away
from K James V and K Leo PB
in shiny Lincolns,
sprinkling holy sheeple from the sky,
their
powdery
absolute
Rule.
Just add oil-water.
Belongs
to humanity.
Just add sugar-rubber.
Belongs
to civilization.
Gold.
Days.
Nights.
Ounces.
A forty.
Mules move.
A forty.
Move.
Move.
Move
mule.
Whatyoumaycall âhow we hereâ and get no
response . . . how we . . . where we fear, how we hear how we sound and
how sometimes [time is some] even our own sound fears us, faults us,
and remembers the first us, confronting Columbus with thunderbolts,
when âwas-weâ not good-citizen sober, âwas-weâ voting and drowning,
and rotting like âwe-wasâ the wrong targets of the armed guts of our
own young?
Now a daze,
tribe-be-known,
the devil
the best historian we got.
Anyhow.
from Poetry
EMILY KENDAL FREY
----
In Memory of My Parents Who Are Not Dead Yet
Is it harder for the bachelorette or her suitors?
The brown oyster mushroom
on her face is possibly the most perfect
nose I have ever seen. I think people
might actually win love. The funny guy always
appeared safe but later you saw him
in the dark green yard
puking, a thin
sweat on the back of his neck.
I want the air I breathe
to maintain my bodyâs
mystery. I worry Iâll run into you at a party
then I remember I donât go to parties
so Iâm safe. I have no godly discipline.
When someone yells I still huddle
under a want for ice cream.
How can you love people
without them feeling accused?
If I wanted to win
I would draw harder lines
and sit next to them, stay
awake, rattle the box of bullets.
When we touch my heart
gets green
and white, preppy, bordered,
oh! she says and perks up.
It hurts to not be everyone else. If love dies
it was already dead.
from Powder Keg
JAMES GALVIN
----
On the Sadness of Wedding Dresses
On starless, windless nights like this
I imagine
I can hear the wedding dresses
Weeping in their closets,
Luminescent with hopeless longing,
Like hollow angels.
They know they will never be worn again.
Who wants them now,
After their one heroic day in the limelight?
Yet they glow with desire
In the darkness of closets.
A few lucky wedding dresses
Get worn by daughtersâjust once more,
Then back to the closet.
Most turn yellow over time,
Yellow from praying
For the moths to come
And carry them into the sky.
Where is your motherâs wedding dress,
What closet?
Where is your grandmotherâs wedding dress?
What, gone?
Eventually they all disappear,
Who knows where.
Imagine a dump with a wedding dress on it.
I saw one wedding dress, hopeful at Goodwill.
But what sad story brought it there,
And what sad story will take it away?
Somewhere a closet is waiting for it.
The luckiest wedding dresses
Are those of wives
Betrayed by their husbands
A week after the wedding.
They are flung outside the