boy?â
The boy drummed on.
âAre they keeping you penned up here in the barn?â
âSheriff!â
âDoesnât he even nod âyesâ or ânoâ?â
âSure, he does.â
âThen why isnât he doing that? Boy, did somebody else bring you here? Did somebody drop you off?â
The beat of the tin drums was lively. The beagle thumped his tail.
âWhere you from, boy? Come on, say something.â
âHe doesnât speak , Sheriff.â
âSo you said. Maybe you threatened him, told him not to talk.â
Marta stood. âSheriff! We did not threaten him. Look at him. Does he look afraid? Does he look threatened? No, he looks content. He is happy here.â
The sheriff walked around the property and checked inside the house. He saw the drums and paints and the small room that had been set up for the boy to sleep in.
âAnd you say he just appeared on your porch one day, is that right?â
âYes,â John said.
âOut of the blue, just like that?â
âYes.â
âSorta like that cow that appeared one day?â
âWell, sort of, but not the same, I mean the boy wasnât tied up to the railing like the cow was. The boy was just asleep on the porch, and he had a note. The cow didnât have a note.â
âUh-huh.â The sheriff tapped his boot against the railing. âAnd how many days has he been here?â
âDays? Well, nowâletâs seeâI canât exactly rememberâitâs been more like weeksââ
âWeeks? Heâs been here for weeks ?â
âWell, now, I donât exactlyââ
âAnd youâre just now getting around to reporting it?â
John sank onto a chair on the porch and pressed his hands to his face. He did not want to cry in front of the sheriff, but thatâs what he felt like doing. He wanted to sob like a baby.
âSheriff, we didnât mean to get attached to him, butââ
âOkay, okay, I get it. Iâve got kids and grandkids. I get it.â
âYou do?â
âLook, it still sounds fishy to me, but the boy looks well cared for, so he can stay here for now.â
It hadnât occurred to John that the sheriff might take the boy away. That thought filled John with such dread that he thought heâd be sick all over the sheriffâs feet.
âSheriff, you wouldnât, you couldnât just takeââ
âThis boy isnât yours.â
âBut, you couldnât just takeââ
âI am the law .â The sheriff tapped his badge and returned to his car. âIâll be doing some checking around. Iâll let you know if I find out anything.â
31
J ohn and Marta were rattled with worry. In front of the boy, they tried to remain calm and cheerful, as usual, but at night they lay awake.
âI shouldnât have gone to the sheriff,â John said.
âYou had to do that, sooner or later.â
âI wish I hadnât gone. I didnât like his tone, did you?â
âNo. He acted as if we were criminals.â
âAs if we had stolen the boy.â
âAs if we were keeping him here against his will.â
âThe nerve!â
The next morning, the boy started a new painting in the barn. He had already filled the lower section of one side of the barn with a wide landscape: blue trees and red paths and purple animals and blue and red and purple swirls and bubbles in the air. Heâd found some black paint and created an enormous black cloud hovering over the scene.
Marta came running into the barn. âJohn! John!â
âWhat? Whatâs wrong? Is it the sheriff?â
âNo, no. I just realizedâit just came to meâlookââ She stood beside him, lowering her voice and indicating the painted scene. âMaybe thatâs where heâs from.â
âWhat? You think heâs painting