Into her bed, then went back to her own bedroom, turned off the television set and went to sleep.
The house was quiet until morning.
Eating her breakfast, Chris told Karl in an offhand way that she thought she'd heard a trap springing shut during the night.
"Like to go and take a look?" Chris suggested, sipping coffee and pretending to be engrossed in the morning paper. Without any comment, he went up to investigate.
Chris passed him in the hall on the second floor as he was returning, staring expressionlessly at the large stuffed mouse he was holding. He'd found it with its snout clamped tight in a trap.
As she walked toward her bedroom, Chris lifted an eyebrow at the mouse.
"Someone is funny," Karl muttered as he passed her. He returned the stuffed animal to Regan's bedroom.
"Sure a lot of things goin' on," Chris murmured, shaking her head as she entered her bedroom. She slipped off her robe and prepared to go to work. Yeah, maybe cat better, old buddy. Much better. Whenever she grinned, her entire face appeared to crinkle.
**********
The filming went smoothly that day. Later in the morning, Sharon came by the set and during breaks between scenes, in her portable dressing room, she and Chris handled items of business: a letter to her agent (she would think about the script); "okay" to the White House; a wire to Howard reminding him to telephone on Regan's birthday; a call to her business manager asking if she could afford to take off for a year; plans for a dinner party April twenty-third.
Early in the evening, Chris took Regan out to a movie, and the following day they drove around to points of interest in Chris's Jaguar XKE. The Lincoln Memorial. The Capitol. The cherry blossom lagoon. A bite to eat. Then across the river to Arlington Cemetery and the Tomb of the Unknown Soldier. Regan turned solemn, and later, at the grave of John F. Kennedy, seemed to grow distant and a little sad. She stared at the "eternal flame" for a time; them mutely reached for Chris's hand. "Mom, why do people have to die?"
The question pierced her mother's soul. Oh, Rags, you too? You too? Oh, no! And yet what could she tell her? Lies? Slue couldn't. She looked at her daughter's upturned face, eyes misting with tears. Had she sensed her own thoughts? She had done it so often... so often before. "Honey, people get tired," she answered Regan tenderly.
"Why does God let them?"
For a moment, Chris stared. She was puzzled. Disturbed. An atheist, she had never taught Regan religion. She thought it dishonest "Who's been telling you about God?" she asked.
"Sharon."
"Oh." She would have to speak to her.
"Mom, why does God let us get tired?"
Looking down at those sensitive eyes and that pain, Chris surrendered; couldn't tell her what she believed. "Well, after a while God gets lonesome for us, Rags. He wants us back."
Regan folded herself into silence. She stayed quiet during the drive home, and her mood persisted all the rest of the day and through Monday.
On Tuesday, Regan's birthday, it seemed to break. Chris took her along to the filming and when the shooting day was over, the cast and crew sang "Happy Birthday" and brought out a cake. Always a kind and gentle man when sober, Dennings had the lights rewarmed and filmed her as she cut it. He called it a "screen test," and afterwards promised to make her a star. She seemed quite gay.
But after dinner and the opening of presents, the mood seemed to fade. No word from Howard. Chris placed a call to him in Rome, and was told by a clerk at his hotel that he hadn't been there for several days and couldn't be reached. He was somewhere on a yacht.
Chris made excuses.
Regan nodded, subdued, and shook her head to her mother's suggestion that they go to the Hot Shoppe for a shake. Without a word, she went downstairs to the basement playroom, where she remained until time for bed.
The following morning
Shauna Rice-Schober[thriller]