clicked open, and Nicole motioned to an area on the stone driveway where I should park.
The first thing that surprised me was that Elizabeth opened her own door. I was absolutely sure she would have a dozen Downton Abbey âstyle footmen who called her âyour graceâ and brushed her hair with boar bristles, but no. And the next thing that surprised me was how beautiful and healthy she was at seventy-six years, five months, and seventeen days old. I expected her to be in declining health if she was thinking of selling a large part of her estate. But here she was, ready to compete in the Mrs. Grandmother of the Universe pageant.
âYou must be the women from Christieâs,â she said, her cream bouclé suit resisting a crease as she reached her thin hand out to us. âLouise warned me that you were young.â She moved out of the way and let us through the heavy, wooden, double French doors.
âAs you both know, youth is not the word of the day. Weâre dealing with old things here, including me.â
Nicole and I started gushingâshe looked amazing, sensational, her house was stunning, her collection unparalleled, we were thrilled, no, elated, to get a chance to see it, to meet her, we were bursting at the seams, what an honorâand through our gushing, she just kept a tight smile on her face and ushered us inside her house.
She led us to what looked like the first of eight living rooms. She pointed to a beige high-backed sofa for us to sit on, which was placed next to a beautiful piece, which I recognized as the work of eighteenth-century Annapolis cabinetmaker John Shaw.
We spent the first hour at Elizabethâs not up to our elbows in mahogany looking for signatures and hidden drawers in precise places to authenticate the pieces, but listening to Elizabeth tell us about her late husband, Adam.
âYou canât imagine how lonely it is to be a widow,â Elizabeth said, bowing her head slightly, her tight gray chignon unmoving.
Really? But didnât she have six children?
âDeath is terrible,â I said, solemnly bowing my head to match hers. What was I saying? How did I know death was terrible? I had never died.
âLoneliness is terrible,â I said, backtracking.
âIt is,â she agreed, patting her eyes with a handkerchief she seemed to have pulled from the couch cushions.
âLoneliness is killing me. My bones are shaking. I need a change.â
She needed a change, did she? Well! I had a change for her. Minimalism! Was it time for me to pull up pictures of Le Corbusier buildings on my iPad? Tell her that stark white walls with nothing on them were this decadeâs Thomas Eakins paintings? Or maybe Iâd suggest the naturalist route. This woman should kiss all this Texas gaudiness away and move to Walden Pond. Really find herself in her final years. She needed to shed the shackles of wealth and make like a Buddhist.
âThere are, of course, my six children. I always thought I would leave it in their hands.â
Heartless worms! All children were. They didnât even come visit her, by the sounds of things. They didnât deserve her furniture. What was I supposed to say? Screw your children? Yes, thatâs what I was supposed to say, just not in so many words.
âItâs possible, if theyâre not passionate about American antiques, that they would immediately sell your collection and spend the money on other things,â I said, talking about how so many young wealthy people wanted private jets and private islands.
âThe values are different,â I continued. âThey donât want Chippendale and Queen Anne; they want fast money, fast cars, Swedish furniture made of metal.â She physically recoiled when I strung that last phrase together. I could tell she was having visions of her huge house filled with IKEA furniture with impossible-to-pronounce names covered in umlauts.
I wanted to tell her