The Rise and Fall of the House of Medici

The Rise and Fall of the House of Medici by Christopher Hibbert Read Free Book Online

Book: The Rise and Fall of the House of Medici by Christopher Hibbert Read Free Book Online
Authors: Christopher Hibbert
Resourceful, charming, cheerful, convivial, humorous, highly intelligent and not above bribing monks whose assistance could not otherwise be procured, he was immediately and remarkably successful as Niccolò Niccoli’s agent in seeking out manuscripts in Germany, France and Switzerland. He brought all manner of treasures to light, discovering whole masterpieces long since lost and the full texts of what had previously been known only in mutilated copies. In the library of one Swiss monastery, for instance, which was housed in a dingy, dirty dungeon at the bottom of a tower, he found Lucretius’s
De rerum natura
, a history by Ammianus Marcellinus, a book on cookery by Apicius and an important work on Roman education by Quintilian.
    Texts which could not be purchased he copied out in an exquisite, easily-read and well-spaced hand, using as his model the eleventh-century Carolingian script rather than the tiresome, clumsy Gothic handwriting which had superseded it. When Cosimo de’ Medici saw Poggio’s script he decided to have all his own books copied in a similar manner. It was also admired by the early Italian printers whoused it as a basis for their Roman type, just as they had used Niccolò Niccoli’s cursive script for their italic. In Poggio’s script lay the origins of modern handwriting and of modern printing.
    Poggio, however, was not one of those humanists who became so involved in study they lost their taste for life. He loved eating and drinking, making jokes and making love. Ideally he liked to work in the company of pretty girls. He told Niccolò Niccoli how one day, when he was copying an inscription, he had broken off to feast his eye on two girls who were watching him. Niccolò had been rather shocked; but Poggio replied that whenever he was working he would always choose to have well-shaped girls beside him ‘rather than a long-horned buffalo’. He had several mistresses and, by his own admission, fourteen illegitimate children for whom he could afford to care well; with his business sense, and through his connection with the Curia, he had been able to make a great deal of money. It was not until he was fifty-five that he decided to get married. Then, characteristically, he chose a pretty girl of eighteen who brought him a handsome dowry with which he purchased a palazzo where, in due course, six more of his children were born.
    Like Poggio, Leonardo Bruni, another of Cosimo’s humanist friends, had come to Florence as a poor young boy, had studied law at the Studio Fiorentino and, having obtained employment at the Curia, had amassed a fortune. But he was far more intense and earnest than Poggio, sharp-nosed, alert, inclined to be arrogant and, so a fellow humanist said of him, ‘unbelievably eloquent’. He strongly disapproved of Niccolò Niccoli’s having a mistress; and Poggio he considered to be really depraved. He himself had abandoned the idea of a career in the Church in order to marry a respectable, and extremely rich, young woman. Thereafter he devoted himself to writing, translating, and to playing his due part in the civic life of Florence, a city which he urged men to consider as the successor of the ancient republics and of which he was to become – and tenaciously to remain – Chancellor. So exalted was his reputation that an envoy from the King of Spain was once seen to fall on his knees before his magnificently red-robed figure.
    An equally honourable but far more modest and saintly man wasAmbrogio Traversari, to whom Cosimo was devoted. A little monk who never ate meat, Traversari had come to Florence from the Romagna, where his family owned large estates, and had entered the austere Camaldolite Order of which he had just become Vicar-General. He was a formidable scholar who had taught himself Hebrew, and was as much at his ease in translating Greek as Latin. So rapidly, indeed, could he translate Greek into the most polished Latin that Niccolò Niccoli, who could write as

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