pestering Jean Fester to join the class to âget healthy,â to which Jean would reply, full of venom, âDo you know what it feels like to have your internal defibrillator go off when youâre not even having a cardiac arrest?â Selena eyed my Apple bag and said, âWell, well. Look whoâs joining the twenty-first century and going online after all. Mary Browning, the others wonât believe it.â
âOh, this? Itâs for my great-granddaughterâs birthday. My grandson Tyler and my son Dave are visiting with Hazel and Josie next week. Dave hates to fly and insists on driving all the way from Seattle,â I added with an exasperated sigh. Selenaâs eyes turned to slits, reminding me of a very perceptive cat.
âWhere are they staying?â she asked.
âThe Sunny Ledge.â The bus had zipped by the quaint little bed-and-breakfast that afternoon.
âThe Sunny Ledge? They let children stay there?â
âWell, the twins are very well behaved. Itâs not as if anyone has to worry that theyâll wreck the place. Josieâs the only twelve-year-old I know who actually likes to sew, â I added.
Selena brought a finger to her lips and screwed up her eyes again, as if contemplating other preteens with an interest in thread. âHow on earth did I forget that they were twins? Because I had twins, you know,â she finally said, as if I couldâve forgotten the tale of how Selena had single-handedly breastfed two babies, one on each side, when nursing was not the fashion, when, in fact, it was usually a sign of poverty. The only person who enjoyed that story was Gene Rosskemp, who said he never minded imagining Selenaâs âgazoongas.â
âYou should bring them to the group next Tuesday night,â Selena suggested.
âTheyâll be gone before then. I really must go.â Oh, how I wished that Dave had forgiven me, and that they really were coming.
âWhat was the name of that publishing house you worked for in New York?â she called after me. âI was trying to search for it online, andââ
âI already told you,â I said, stepping onto the elevator, âit went out of business years ago.â When the doors finally shut, I shut my eyes and exhaled.
Back inside my apartment, I set the Apple bag gently on the floor and fell into my recliner with a sigh, thinking that I used to be a better friend, back when I used to have friends, back when I was still Miriam Lichtenstein.
Reaching over to my little bookshelf, my hand found its way to the picture in USA Today of the three women and the plane. Just looking at it again made the old impulse rise upâthe one that made me want to take a black, permanent marker and blot out the name in the caption, Miriam Lichtenstein, keeping her safe in her anonymity.
In the back of my bedroom closet, I pulled out an old shoe box before returning to the living room recliner once again. An hour passed as if a minute, as I rifled through the three-by-five photos inside: the one of Papa and Mama, leaning against his peddlerâs fruit cartâMama smiling in spite of herself, as if she canât believe Papaâs laughing when disaster looms; Sarah and Elias, looking like Hollywood royalty after one of his performances; Sarah holding baby Rita on the front steps of the house on Beacon Street; and the one that takes my breath away: I amin my Santiago blue uniform standing with Thomasâthe picture I mailed to my mother only months before she cut me off. Oh, Mama, did you have any regrets about me at the end? I wondered, a pointless question after all this time. Water under the bridge ; such a stupid cliché, I thought with a sigh. Especially in Pittsburgh, where the bridges are everywhere, each one arching over the water you thought youâd already left behind, your history always chasing you.
At last, I found the one I was searching for: one of the