dizzying height and felt a need to invoke the most extreme fall from grace.
The wind was fresh out of the west, and the sun loomed orange behind a bank of clouds at the horizon. He set off the opposite way from One Man’s Pass, in the direction of a tower that looked out over the small bay’s southern cusp. Above him, their nesting grounds disturbed by the hikers, gray fulmars and red-billed choughs rode the wind in great wide circles. Below, in the sun-gilded waves, several seals made their way to shore for the night.
The dilemma he faced nagged at him again this evening, as it had done every minute since he’d arrived in Donegal. He’d been here three full days now, and still hadn’t managed to tell Nora what was really going on—with his father, with himself. They’d spoken on the phone as recently as yesterday evening while she was still in Dublin, and he’d passed up several opportunities to explain, not knowing how she would respond. And now he was stuck. He glanced at his watch. She was probably safely landed in the States by now.
Should he try ringing, and hope that her Irish mobile was working in America? She hadn’t offered an alternate way for them to keep in touch, and he had to wonder whether that had been a conscious choice. There was e-mail, of course, but it seemed woefully inadequate. How could any electronic device capture what he wanted to say?
He wanted to tell her how he had pulled into the gravel driveway at his father’s house three nights ago, expecting to find quiet and darkness. Instead, he’d found a strange car parked beside the house, lights blazing brightly inside. He could hear music and laughter; animated conversation floated out through the open door. The ground-floor windows were wide open as well, and music played in the background, a jazz piece he vaguely recognized but could not name. Then Cormac had heard his father’s voice. Decades away from this place, and the Donegal accent had not faded; it had a milder northern edge than Belfast or Derry, but the same narrow-throated vowels. The laughter that seemed to follow Joseph Maguire’s every utterance was undeniably female.
Not Mrs. Foyle, surely. Recalling a few conversations with his father’s neighbor, he couldn’t believe the woman ever laughed. He had stood listening to the two voices as a person might hearken to birdsong. No, definitely not Mrs. Foyle.
She’d been very specific on the phone: His father had suffered a stroke, and needed looking after—more looking after than a mere concerned neighbor such as herself could offer, was the implication. But from the sound of things, his father wasn’t at all unwell. There must have been some mistake. Cormac walked to the open doorway feeling confused, relieved, guilty. Just what did Geraldine Foyle think she was playing at here?
“Hang on now,” his father was saying. “Hang on. We’ve gone past it now. This is the part I especially wanted you to hear.” Joseph stood to lift the needle from a spinning 78 rpm disc on the gramophone, and carefullyplaced it back to an earlier point in the groove. “Would you listen to that—” He paused to let the instruments speak, raising a hand to indicate a particular passage. “Pure genius, don’t you think?”
The woman in the easy chair opposite swirled and sipped from her glass of red wine as she listened to the music. Cormac was startled to discover that his father’s guest was someone he knew—Roz Byrne, one of his university colleagues from Dublin. They’d been hired on at the same time, and sat together on a few faculty committees. They’d always got on very well. Roz was a folklorist, a good-natured woman with a great hearty laugh, lively green eyes, and an unruly tumble of gingery hair. As neither of the room’s occupants seemed to mark his presence, he raised a hand and rapped lightly on the door frame. Roz put a hand to her throat. “Jaysus Christ, Cormac Maguire—you nearly put the heart across me.
Morten Storm, Paul Cruickshank, Tim Lister