Itâs the same self-fulfilling prophecy. You donât trust something to be true, so you push it to the point when it isnât true.â
âThatâll never happen,â Geordie says, but I can see itâs something he wants to believe, not something he really believes.
âWe canât let it happen,â I say. âSo thatâs why Iâm telling you now what Saskia said to me: The only way Iâll leave you, is if you send me away.â
13
I donât envy the music others hear anymore; Iâm too filled with my own now, the strains that connect me to Saskia and my brother and the other people I love in my life. Iâm not saying my worldâs suddenly become perfect. Iâve still got my ups and downs. You should see the review that
The Daily Journal
gave my last bookâAaran Block at his vitriolic worst. But whenever things get bad, all I do is slow down. I stop and listen to the music and then I canât help but appreciate what I do have.
Itâs funny what a difference a positive attitude can have. When you go out of your way to be nice to people, or do something positive for those who canât always help themselves the way Saskia does with her editorial work on
Street Times
, it comes back to you. I donât mean you gain something personally. Itâs just that the world becomes a little bit of a better place, the music becomes a little more upbeat, and how can you not gain something from that?
See, when you get down to the basics of it, everythingâs just molecules vibrating. Which is what music is, what sound isâvibrations in the air. So weâre all part of that music and the worthier it is, the more voices we can add to it, the better off we all are.
Sure beats the silence thatâs threatening to swallow us otherwise.
14
âTell me a story,â Saskia says that night after Geordieâs gone home.
I turn my face toward her and she snuggles close so that my mouth is right beside her ear.
âOnce upon a time,â I say, âthere was a boy who lost his ability to sing and the only person who could find it for him lived in a forest of words, but he didnât meet her until he was much, much older . . . .â
In This Soul of a Woman
If I were a man, I canât imagine it would have turned out this way. I will say no more except what I have in my mind and that is that you will find the spirit of Caesar in this soul of a woman.
â
from the letters of Artemisia Gentileschi
    (1593âc.1652)
1
âEddie wants to see you.â
âWhatâs he want?â Nita asked. âAnother blow job?â
âProbably. I think heâs tired of the new girl.â
âWell, fuck Eddie. And fuck you, too.â
âChrist, Nita. You on the rag or what? Iâm just passing along a message.â
Nita didnât turn to look at Jennifer. She stared instead at her reflection in the mirror, trying to find even one familiar feature under the makeup. Even her eyes were wrong, surrounded by a thick crust of black eye shadow, the irises hidden behind tinted red contacts. From beyond the dressing room came the thumping bass line of whatever David Lee Roth song Candy used in her act. That meant she had ten minutes before she was up again. Lilith, Mistress of the Night. Black leather and lace over Gothic-pale skin, the only spots of color being the red of her eyes, herlips, and the lining of her cape. Nitaâs gaze dropped from her reflection to the nine-foot-long whip that lay coiled like a snake on the table in front of her.
âFuck this,â she said.
The dressing room smelled of cigarettes and beer and cheap perfume which just about summed up her life. She swept her arm across the top of the table and sent everything flying. Whip and makeup containers. A glass, half full of whiskey. Cigarettes, lighter, and the ashtray with butts spilling out of it. A small bottle filled with uppers. The
Dorothy Calimeris, Sondi Bruner