together. A partition had been constructed between the two halves, and they used different doors to enter and exit. She liked that Rayn was sleeping so near, near enough that she might hear him breathing, and sometimes she sat quietly and listened, hoping she might hear him moving about. But the partition was thick and the ship noisy, with the wind groaning in the sails and the sailors calling as they went about their work.
Atella sat cross-legged on the cot across from her, crocheting a tablecloth. The cots were clever contraptions, not mounted upon the floor, but hanging on ropes from the ceiling, so that when the ship heeled over, causing the floor to slant, furniture didnât slide across the room and nobody fell out of bed.
Celeste returned to her treatise in hopes of losing herself in a world of mathematics, where everything was systematic and logical. This wasnât the problem she was supposed to be solving; she was supposed to be solving the problem of Prince Rayn and his reluctance to make any kind of alliance with her family. But the prince was ignoring her. From the beginning of the voyage, heâd claimed seasickness, a plausible assertion except that Celeste saw and heard no signs of illness. On two occasions sheâd knocked at his cabin door and been turned away. Sheâd approached him on the quarterdeck several times, only to watch him retreat to his cabin. And when the captain had invited both of them to dinner, Celeste had attended but Rayn had declined.
Nearby, a door squeaked open. Was Rayn going out on the quarterdeck? She met Atellaâs eyes and they froze, trying to silence their cots, which creaked on the ropes. Voices outside the cabinâMagister Lornis, and, yes, Rayn as well.
Atella set her crocheting aside. âAre we going out?â
âIn a minute,â Celeste whispered. âI donât want to look too obvious.â
She reread the page sheâd just written. Then she set aside the treatise, put down her chocolate, and hopped out of her cot. She left the cabin, flanked by Atella, and emerged onto the quarterdeck. Pale midmorning sunshine spilled over her. The ship was driving upwind and heeling over, giving the deck a slight slope, but Celeste was accustomed now to maneuvering on a surface that didnât stay horizontal. Where was Rayn?
There, on the opposite side of the ship. He stood at the rail, looking out at the open ocean with Magister Lornis at his side. Loose hairs from his braid danced in the wind.
Atella sighed. âThat is one handsome man.â
âOne aggravating man,â said Celeste. But Atella was right. Rayn had that effect on women. He wasnât vain. She never saw him striking poses or showing off; if anything, he seemed oblivious to his good looks, though he had to be aware of how women responded to him. If she were an artist, she would paint him where he stood, pensive and looking out over the water.
âYouâre so lucky,â breathed Atella.
âNot really,â said Celeste. âHeâs not interested in the marriage.â
âHeâll change his mind.â
Celeste doubted it. But sheâd promised to do her best for Lucien and Vitala. As she braced herself to step forward and open a conversation with the prince, somebody else walked up to him. It was a woman, young and blond and pretty.
âWho is that?â she whispered to Atella.
âIâve no idea.â
Celeste watched as the woman spoke. Raynâs body language was not open to her; he folded his arms and took a step back when she intruded into his personal space. His movements were stiff and unwelcoming, which Celeste found perversely satisfyingâat least she wasnât the only woman having trouble approaching this man. But who was this woman? All the sailors on the
Goshawk
were men. She looked Inyan rather than Kjallan. Probably she was part of Raynâs entourage, but then why did he seem not to want her around?
Her
Jolene Perry, Janna Watts